Identify Textures With Their Patterns and Design

Outside the professional Textile Workshops and centers that  services  courts, Temples and long distance Trade, A great Variety of artistic clothes has been produced  by India’s Tribal, Pastoral and agricultural  communities.

The Jains of India are followers of a 2500 years old faith and patrons of an extraordinary tradition of religious art. Their temples and monastic establishments in Gujarat, Rajasthan, Bihar and Karnataka are well known historical and pilgrimage sites. The Jain bhandar also preserved cloth panels or Pala, large and small, of cotton exquisitely painted with minerals diagrams and didactic religious narratives’ for worship and meditations.

The Jain Believe that their spiritual philosophy and prolific are inspired by the line of 24 enlightened brings or tirthankars . This jewel line Jain pale has a hierarchical format common to most types of Indian cloth panels painted for worship and ritual use. The striking textile texture is perhaps the earliest of all women’s Indian silks .Its Design achieves a Profoundly Graphic and timeless Quality. The simplicity of this Design is surpassed only by its Graphic Power. For its minimalist rendering of mortify subtle geometry of forms ,and dramatic use of color, this textile is a masterpieces of medieval textile design.

The Versatility of Textile Art.

The Textile broadly full into three groups on the basic of their design and historical period. Three is a signification overlap between the groups. The first group date around the 15th century to the first half of the 17th century. It is the least familiar to the three groups and offers a partial but serialising glimpse of Indian surface design in the late sultanate period. The textiles of this group also reflect the decorative art of the Hindu states that were powerfully in fleeced by sultanate traditions. A richly decoration, hybrid style that is typical of the sultan at era dominates the designs. Most of the surviving India prices from this era were exported to the neighbouring regions such as Egypt, Tibet and Indies many of the textiles of this period are patterned with an intricate   respective filigree of foliage motifs palmettos and arabesques as well as pleased liner border. Which were reflecting the characterise of sultanate Era.

The second group of textile dates from the mid-17th centuries to the end of the 18th century. This Period belong to the some of the best know and the most celebrated court, trade and temple textile of India. The Trade textile forum the period includes the celebrated Chintz's and embroideries that were exported to Europe. An altogether different genre comprises the ritual clothe crafted for important Hindu shrines as well as the traditional Indian serous and panels depicting religious Narratives. The textiles are patterned with a remarkable new style of floral decoration. Flower arranged in a formal strap work of shams, buds and leaner replaced the linear geometry of the earlier Indo-Islamic   Arabesques.

The third group of textiles span the 19th and 20th centuries.Their patterns   demonstrate an incentive adaption and blend of historical design elements. The grace and Maturation of Mughal floral decoration persists in the flower vines and floral.  Arabesques   In the borders and field area of these textile .On the other hand profusion of birds and animals and human Figures, as well as the dense and lively  Ornamentation real Textile Texture patters form the sultanate era.

The trend reflects equally a resurgent influence of the early and timeless, local traditional of Decorative art as Textiles centres   across subcontinent.